DAKHLA - SAHARA - SESSION

by GROUP DOUEH & CHEVEU

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about

Cheveu vs Doueh : la mémoire vive du sablier

A ma droite, Cheveu, un trio français qui ne cesse de bousculer les œillères en inventant une bande-son aux limites de bien des genres. A ma gauche, Group Doueh, un combo saharien qui enjambe les frontières des styles, en percutant la tradition de trouvailles inédites. Au centre des enjeux, un sound-clash entre deux univers situés à des années-lumière dans la galaxie musicale. Deux arts de vivre la musique au quotidien, deux manières de transmettre, deux façons d’enchanter, ou non, le monde, deux rapports au répertoire, à la tradition, à la création, deux visions du collectif, la liste est longue de ce qui pouvait a priori faire qu’ils ne se rencontrent jamais, qu’ils ne s’entendent pas. Ce disque, c’était comme un défi un peu surréaliste, une mission quasi-impossible, où le temps allait compter. Résultat : un big bang tellurique, une création atomique, une histoire d’énergies « primitives » qui remet les pendules à l’heure du Tout-Monde. Entendez deux entendements du temps si différents. Retour vers le futur à l’imparfait du subjectif.

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ENGLISH :
The random-access memory of an hourglass.

On the one hand, there’s Cheveu, the French three-member band, whose soundtrack has never ceased to question music codes by exceeding various genres and pushing back their limits. On the other hand, you have Group Doueh, a combo coming from the Sahara desert (Dakhla). Their music spans across many styles and hammers tradition with unprecedented finds.

In between both their remote musical universes dwells a sound clash. It embodies the meeting between two arts of living music day by day, two ways of transmitting, of enchanting the world or refusing to do so, of exploring the repertoire as well as tradition and creation, two visions of the collective – the list of reasons why these guys should have probably never met or could have failed to get along is quite extensive.

This piece was recorded in 2 weeks in Dahkla in January 2016. The mere project seemed like a surreal challenge, something that was almost impossible to achieve and for which time was going to hold major importance. It brought about a telluric big bang, an atomic creation, a story of primitive energies setting the record straight in the whole world. That is, two radically different understandings of time.

credits

released March 2, 2017

CHEVEU
Etienne Nicolas - Guitare
Olivier Demeaux - Machines & Synthés David Lemoine - Chant / Synthés
GROUP DOUEH
Selmou Baamar - Tinidit/Guitare Halima Jakani - Chant
El waer baamar - Synthés
Omar laabadi - Chant/Percussions Souilma RGUIBI - Kissen & Choeurs Arbiha SALAM - Tbal & Choeurs
Enregistrement : Laurent de Boisgisson Arrangements Olivier Demeaux et Laurent de Boisgisson
Mixé par Olivier Demeaux et Laurent
de Boisgisson
Masterisé à La Villa Mastering par Jeremy Aide artistique : Amine Hamma
Paroles et Musique : Group Doueh & Cheveu Bord de Mer est inspiré de « Babylon Babies » de Maurice Dantec.
cover: Elzo Durt
(p) &(c) 2016 by Born Bad Records / B & B prod

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